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How To Activate Animated Halloween Props In The Dark

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1982 American science fiction horror film by Tommy Lee Wallace

Halloween Three:
Season of the Witch
Halloween III Season of the Witch film poster.jpg

Theatrical release poster
Directed by Tommy Lee Wallace
Written past
  • Tommy Lee Wallace
Produced past
  • Debra Loma
  • John Carpenter
Starring
  • Tom Atkins
  • Stacey Nelkin
  • Dan O'Herlihy
Cinematography Dean Cundey
Edited past Millie Moore
Music by
  • John Carpenter
  • Alan Howarth

Production
companies

Dino De Laurentiis Corporation
Debra Colina Productions
Distributed past Universal Pictures

Release date
  • October 22, 1982 (1982-10-22)

Running time

 98 minutes[i]
State United States
Linguistic communication English
Budget $2.5 million[ citation needed ]
Box part $14.four one thousand thousand (United states of america)

Halloween Iii: Season of the Witch is a 1982 American science fiction horror film and the tertiary installment in the Halloween motion picture series. Information technology is the beginning flick to be written and directed past Tommy Lee Wallace. John Carpenter and Debra Hill, the creators of Halloween and Halloween II, return equally producers. Halloween Iii is the only entry in the series that does non feature the series adversary, Michael Myers. After the film's disappointing reception and box function performance, Michael Myers was brought back six years later on in Halloween 4: The Return of Michael Myers.

It departs from the slasher genre, which the rest of the installments were a function of, and instead features a "witchcraft" theme with science fiction aspects. John Carpenter and Debra Hill believed that the Halloween series could take been an anthology series of films that centered around Halloween dark, with each sequel containing its own characters, setting, and storyline. Director Wallace stated there were many ideas for Halloween-themed films, some of which could have potentially created any number of their own sequels, and that Season of the Witch was meant to be the first.[ citation needed ]

The frequency of graphic violence and blood is less than Halloween II. Every bit with the series' other films, suspense and tension are fundamental themes, exploring violence against young children. On a budget of $ii.5 million, Halloween Three fabricated a profit by grossing $14.four 1000000 at the box office in the U.s.a.,[2] but information technology was also the poorest performing picture in the Halloween series at the time.[iii] About critics gave the film negative reviews. Despite the reception, re-evaluation in after years has given Halloween 3 new legions of fans and has established its own reputation as a stand up-lone cult moving-picture show.[iv] [five]

It was the last Halloween motion-picture show distributed by Universal Pictures until the 2018 picture Halloween 36 years later.[6] It is also the terminal motion picture to star Maidie Norman before her death in 1998.

Plot [edit]

On October 23, in Northern California, shop owner Harry Grimbridge is pursued by mysterious men in suits, with a jack-o-lantern Halloween mask in his possession. He collapses at the shop of Walter Jones, who calls for help. Harry is taken to a infirmary and placed in the intendance of Dr. Daniel Challis, an alcoholic doctor who has a strained relationship with his ex-wife and two children. Later that night, Harry is murdered by another suited man, who immolates himself in his motorcar. Afterwards identifying his body, Harry's daughter Ellie meets Daniel at a bar and reveals that she has discovered suspicious events surrounding Harry'southward decease. To investigate, they travel to the Silver Shamrock factory in Santa Mira, California, where the Halloween masks are fabricated. Upon their arrival, they check into a motel, the manager of which reveals that Conal Cochran and his factory, Silver Shamrock Novelties, producer of the pop Halloween masks, are the source of the town's prosperity. While checking in, Daniel learns that Harry was also a recent motel invitee.

Marge Guttman, some other motel customer, discovers a microchip on the back of the medallion of ane of the masks. The medallion emits a deadly energy axle into her mouth as she picks at it curiously with a hairpin. Her face is left mutilated, and an insect crawls out of her mouth. Shortly after, men in lab coats take Marge'south body abroad in a Silver Shamrock van. Daniel overhears the factory technicians telling Cochran that information technology was a "misfire". While Daniel and Ellie tour the factory the following morning, Ellie finds her begetter's car, guarded by more men in suits who finish her from getting closer to it. They flee and phone call the authorities, only Daniel tin't reach anyone outside of town by phone. Ellie is kidnapped and taken to the factory; Daniel follows and is captured past the men in suits, revealed to be androids Cochran created.

Cochran takes Daniel to the "special processing" control room and reveals his program: the microchips on each mask incorporate a fragment of a slice of Stonehenge he stole. Upon viewing the "Big Giveaway" commercial, the microchips on the masks will actuate, killing whoever is wearing them with fatal encephalon damage and causing a swarm of insects and snakes to emanate from their bodies, also killing anyone nearby. Meanwhile, Teddy, the infirmary assistant coroner Daniel entrusted to investigate the auto explosion, is murdered by an android.

Cochran locks Daniel in a room with a mask on and explains his intention to resurrect ancient infidel rituals of sacrificing children during the age of Samhain from his native Celtic lands. Daniel escapes his bonds and rescues Ellie. He sneaks into the control room, activates the commercial on the screens, and pours a box of the medallions from a ceiling rafter, killing everyone. And so Cochran is likewise killed by the Stonehenge rune, leading to a massive burn down that destroys the mill. As they flee, Daniel is attacked past Ellie, revealed to be an android indistinguishable. The struggle leads to a car crash, and he destroys the indistinguishable Ellie with a tire iron. Daniel flees on human foot to Walter'south store, where he frantically calls the various television networks to convince them to stop the broadcast. Two channels arrest, but a third station fails to do and then, with Daniel screaming into the phone, pleading with them to make it cease.

Cast [edit]

  • Tom Atkins as Dr. Dan Challis
  • Stacey Nelkin as Ellie Grimbridge
  • Dan O'Herlihy as Conal Cochran
  • Michael Currie as Rafferty
  • Ralph Strait every bit Buddy Kupfer
  • Jadeen Barbor as Betty Kupfer
  • Brad Schacter as Fiddling Buddy
  • Garn Stephens as Marge Guttman
  • Nancy Kyes equally Linda Challis
  • Jonathan Terry as Starker
  • Al Drupe every bit Harry Grimbridge
  • Wendy Wessberg as Teddy
  • Essex Smith every bit Walter Jones
  • Maidie Norman every bit Nurse Agnes

Dick Warlock, who played Michael Myers in Halloween Two, played the android Assassinator, while an uncredited Jamie Lee Curtis cameos equally both the voices of the curfew announcer and the phone service provider.

Product [edit]

Skeleton and witch masks created by Don Mail service, worn by Dan Challis's (Tom Atkins) children.

When approached about creating a tertiary Halloween film, original Halloween writers John Carpenter and Debra Colina were reluctant to pledge commitment. Carpenter and Hill agreed to participate in the new projection only if it was not a direct sequel to Halloween II, which meant Michael Myers would not exist the focus of the pic.[seven] Irwin Yablans and Moustapha Akkad, who had produced the first two films, gave Halloween Three a budget of $two.5 million.[2]

Special effects artist Don Postal service of Post Studios designed the latex masks in the moving-picture show which included a glow-in-the-dark skull, a lime-green witch and an orange Day-Glo jack-o'-lantern.[viii] Hill told Aljean Harmetz, "We didn't exactly accept a whole lot of coin for things like props, so we asked Postal service, who had provided The Shape mask for the earlier 'Halloween' [II] ... , if we could work out a deal."[9] The skull and witch masks were adaptations of standard Post Studios masks, merely the jack-o'-lantern was created specifically for Halloween Three. Post linked the masks of the flick to the popularity of masks in the real globe:

Every social club in every time has had its masks that suited the mood of the society, from the masked brawl to clowns to makeup. People want to deed out a feeling inside themselves—aroused, sad, happy, former. It may be a distressing commentary on present-day America that horror masks are the all-time sellers.[9]

Most of the filming took place on location in the small-scale coastal town of Loleta, California.[10] [11] [12] Familiar Foods, a milk bottling plant in Loleta, served every bit the Argent Shamrock Novelties mill, only all special effects involving burn, smoke, and explosions were filmed at Mail Studios.[eight]

Writing [edit]

Producers recruited British science fiction writer Nigel Kneale to write the original screenplay, mostly because Carpenter admired his Quatermass series.[13] Kneale said his script did not include "horror for horror's sake".[14] He adds, "The primary story had to do with deception, psychological shocks rather than concrete ones." Kneale asserts that movie mogul Dino De Laurentiis, possessor of the pic's distribution rights, did not care for information technology and ordered more graphic violence and gore.[fifteen] While much of the plot remained the same, the alterations displeased Kneale, and he requested that his name be removed from the credits. Director Tommy Lee Wallace was and so assigned to revise the script.[16] [17] [18] He explained in the interview the direction that Carpenter and Loma wanted to take the Halloween series, stating, "It is our intention to create an anthology out of the serial, sort of along the lines of Night Gallery, or The Twilight Zone, merely on a much larger calibration, of course."[nineteen] Each year, a new movie would be released that focused on some aspect of the Halloween season.[20] [21]

Hill told Fangoria that the film was supposed to be "a 'pod' film, not a 'knife' movie."[vii] As such, Wallace drew inspiration from some other pod motion picture: Don Siegel'south Invasion of the Torso Snatchers (1956).[22] The fictional town of Santa Mira was originally the setting of Invasion of the Body Snatchers and named as such in Halloween 3 equally an homage to Siegel's film.[9] Aspects of the plot proved very similar also, such as the "snatching" bodies and replacing them with androids.[23] Halloween Three's subtitle comes from George A. Romero'southward second movie Flavor of the Witch (1973)—also known equally Hungry Wives—but the plot contains no similarity to Romero's story of a housewife who becomes involved in witchcraft.[24]

Casting [edit]

The cast of Halloween 3: Season of the Witch consisted generally of character actors whose previous acting credits included cameo appearances on various tv set series. The exceptions were Tom Atkins and veteran thespian Dan O'Herlihy.[25] [26] Bandage as surgeon Daniel "Dan" Challis, Atkins had appeared in several John Carpenter films prior to Halloween III. Atkins played Nick Castle in The Fog (1980) and Rehme in Escape from New York (1981). Atkins guest starred in television serial such as Harry O, The Rockford Files and Lou Grant. Atkins told Fangoria that he liked being the hero. As a veteran horror actor, he added, "I wouldn't listen making a whole career out of being in just horror movies."[vii] After Halloween III, Atkins continued to play supporting roles in dozens of films and television series.[27]

Tom Atkins played Dan Challis in this film.

Stacey Nelkin co-starred as Ellie Grimbridge, a young woman whose father is murdered by Silver Shamrock. She landed the role after a make-up creative person working on the film told her about the auditions.[28] In an interview, Nelkin commented on her character: "Ellie was very spunky and strong-minded. Although I like to retrieve of myself equally having these traits, she was written that mode in the script." Nelkin considered it an "honor" to be playing Jamie Lee Curtis's successor.[28] According to Roger Ebert, Nelkin'south performance was the "ane saving grace" in the picture. Ebert explained, "She has i of those rich voices that makes you lot wish she had more to say and in a better role . ... Also bad she plays her last scene without a head."[29] Prior to her office every bit Grimbridge, Nelkin was 1 of the main characters in the 1980 Mad Magazine movie Up the Academy, which also starred Ralph Macchio.[30] After Halloween III, Nelkin continued working as a character actress on telly.[31]

Veteran Irish actor Dan O'Herlihy was cast as Conal Cochran, the owner of Silver Shamrock and the witch from the film's title (a 3000-year-old demon in Kneale's original script).[7] O'Herlihy had played close to 150 roles before co-starring equally the Irish trickster and was nominated for an Academy Award for his performance in The Adventures of Robinson Crusoe (1954).[32] [33] He appeared in another twenty films and television serial before his death in 2005.[34] O'Herlihy admitted in an interview with Starlog mag that he was non especially impressed with the finished pic. When asked what he thought of working in the horror film, O'Herlihy responded, "Whenever I use a Cork accent, I'thou having a good time, and I used a Cork accent in [Halloween III]. I thoroughly enjoyed the role, simply I didn't think information technology was much of a picture, no."[35] Two members of the supporting cast were not strangers to the Halloween series. Nancy Kyes played Challis's ex-wife Linda; she had appeared in the first 2 Halloween films as Laurie Strode'southward promiscuous friend Annie Brackett.[36] Stunt performer Dick Warlock makes a cameo appearance as an android assassinator.[37] Warlock had earlier co-starred every bit Michael Myers in Halloween 2.[37] Jamie Lee Curtis likewise provided uncredited vocalization work as the Santa Mira curfew announcer and the telephone operator.[38] Tommy Lee Wallace besides provided uncredited voice work as the Silvery Shamrock Commercial Announcer.

Directing [edit]

Joe Dante was originally hired to direct but quit in lodge to direct a segment of Twilight Zone: The Moving picture just weeks earlier principal photography was scheduled to offset on April nineteen, 1982.[39] [forty] The film was the directorial debut of Tommy Lee Wallace, although he was not a newcomer to the Halloween serial. Wallace had served every bit fine art director and production designer for John Carpenter's original Halloween and he had previously declined to direct Halloween II in 1981.[41] After Halloween Iii, Wallace directed other horror films such as Fright Nighttime Function 2 (1988), Vampires: Los Muertos (2002) and the miniseries Information technology (1990), the television set adaptation of the Stephen King novel.[42] Despite disagreements betwixt Wallace and original script writer Nigel Kneale, the actors reported that Wallace was a congenial director to work with.[43] Stacey Nelkin told one interviewer, "The shoot as a whole was fun, smooth and a smashing group of people to work with. Tommy Lee Wallace was incredibly helpful and open to give-and-take on dialogue or character issues."[44]

Although the third flick departed from the plot of the start ii films, Wallace attempted to connect all 3 films together through sure stylistic themes. The moving-picture show's opening title features a digitally animated jack-o'-lantern, an obvious reference to the jack-o'-lanterns that appeared in the opening titles of Halloween and Halloween II.[45] Wallace's jack-o'-lantern is also the catalyst in the Silvery Shamrock commercials that activates the masks. Some other stylistic reference to the original film is found in the scene where Dr. Challis tosses a mask over a security camera, making the image on the monitor seem to be peering through the centre holes. This is a nod to the scene in which a young Michael Myers murders his sister while wearing a clown mask.[28] Finally, the moving picture contains a cursory reference to its predecessors by including a few brusk scenes from Halloween in a television commercial that advertises the airing of the moving picture for that upcoming holiday every bit a minor story within a story.[46]

Wallace'southward employ of gore served a different purpose than in Halloween II. According to Tom Atkins, "The effects in this [motion picture] aren't bloody. They're more bizarre than gross."[47] Special furnishings and makeup artist Tom Burman concurred, stating in an interview, "This movie is really non out to disgust people. It's a fun movie with a lot of thrills in it; not a lot of random gratuitous gore."[vii] Many of the special effects were meant to emphasize the theme of the applied joke that peppers the plot. New York Times film critic Vincent Canby notes, "The movie features a lot of carefully executed, comically horrible special effects . ... " Canby stood every bit one of the few critics of the fourth dimension to praise Wallace's directing: "Mr. Wallace clearly has a fondness for the clichés he is parodying and he does it with manner."[48]

Music [edit]

The soundtrack was composed by John Carpenter and Alan Howarth, who worked together on the score for Halloween II and several other films.[49] Music remained an important chemical element in establishing the atmosphere of Halloween III. But as in Halloween and Halloween Two, at that place was no symphonic score. Much of the music was equanimous to solicit "false startles" from the audience.[50] [51]

The score of Halloween III differed greatly from the familiar main theme of the original and sequel. Carpenter replaced the familiar 10/8 pianoforte melody with an electronic theme (9/16 against a steady 4/4) played on a synthesizer with beeping tonalities.[52] [53] Howarth explains how he and Carpenter composed the music for the third film:

The music style of John Carpenter and myself has further evolved in this moving picture soundtrack past working exclusively with synthesizers to produce our music. This has led to a certain procedural routine. The film is first transferred to a time coded video tape and synchronized to a 24 track master audio recorder; then while watching the film we compose the music to these visual images. The entire procedure goes quite rapidly and has "instant gratification", assuasive us to evaluate the score in synch to the pic. This is quite an invaluable asset.[54]

One of the more than memorable aspects of the film's soundtrack was the jingle from the Silvery Shamrock Halloween mask commercial.[55] Set up to the melody of "London Bridge Is Falling Downward",[56] the commercial in the film counts down the number of days until Halloween commencement with day viii followed by an announcer's vox (Tommy Lee Wallace) encouraging children to buy a Silver Shamrock mask to habiliment on Halloween night:

Eight more days 'til Halloween,
Halloween, Halloween.
Eight more days 'til Halloween,
Silver Shamrock.[57]

Reception [edit]

Edd Riveria's Halloween Iii artwork featured on the cover of Fangoria.

Halloween 3: Flavor of the Witch received generally negative reviews. The New York Times reviewer Vincent Canby struggled to utilise a definite label to the film'due south content. He remarks, "Halloween Iii manages the non like shooting fish in a barrel feat of being anti-children, anti-capitalism, anti-television and anti-Irish all at the same time." On the other hand, he says that the moving picture "is probably as good every bit any cheerful ghoul could enquire for."[48] Other critics were far more decisive in their assessments. Roger Ebert wrote that the film was "a low-hire thriller from the outset frame. This is one of those Identikit movies, assembled out of familiar parts from other, ameliorate movies." However, he did praise Stacey Nelkin's performance.[29] Cinefantastique magazine called the film a "hopelessly jumbled mess".[58] Jason Paul Collum points to the absence of Michael Myers and the movie's nihilistic ending as reasons why the picture show dissatisfied reviewers and audiences alike.[59] Jim Harper called Wallace's plot "securely flawed." Harper argues, "Any plot dependent on stealing a chunk of Stonehenge and shipping it secretly across the Atlantic is going to be shaky from the start." He noted, "at that place are iv time zones across the United States, so the western seaboard has four hours to get the fatal curse-inducing advertizing off the air. Not a neat plan."[24] Harper was not the only critic unimpressed past the plot. Roger Ebert of the Chicago Sun-Times wrote, "What'southward [Cochran's] plan? Kill the kids and replace them with robots? Why?"[29]

Tom Milne of Time Out offered a more positive review, calling the championship "a bit of a cheat, since the indestructible psycho of the beginning two films plays no office hither." Different other critics, Milne thought the new plot was refreshing: "With the possibilities of the characters [of the previous Halloween films] well and truly wearied, Flavor of the Witch turns more than profitably to a marvellously ingenious Nigel Kneale tale of a toymaker and his fiendish plan to restore Halloween to its witch cult origins." Although Milne was unhappy that Kneale's original script was reduced to "a scrap of a mess", he withal believed the end outcome was "hugely enjoyable".[60]

On Rotten Tomatoes the picture holds a 43% approval rating and an average rating of 5/10 , based on 30 reviews. The site's consensus reads, "Its laudable deviation from serial formula not withstanding, Halloween Three: Flavor Of The Witch offers paltry thrills and dubious plotting."[61] On Metacritic it has a score of l% based on reviews from 11 critics, indicating "mixed or average reviews".[62]

PopMatters journalist J. C. Maçek III wrote that the film "features no serial killers or slashers of whatsoever kind ... Even so, this could have been somewhat interesting, or at least not condemnable, had the film been any good. It's not. Almost every time it starts to get to the point where nosotros might actually go engrossed in the film, director Tommy Lee Wallace throws in something corny similar ... oh, like a human decapitation scene that shows merely how much the producers invested in latex. Seriously, could the special furnishings look a little more faux, please? I was just getting to the betoken where I could nearly tell the robots from the real people ... making a real person look faker than Michael Jackson'south nose blissfully confuses me all over again."[63]

Academics find the film full of critiques of late 20th-century American gild; historian Nicholas Rogers points to an anti-corporate message where an otherwise successful businessman turns "oddly irrational" and seeks to "promote a more robotic future for commerce and manufacture." Cochran's "astrological obsessions or psychotic hatred of children overrode his business sense."[64] Tony Williams argues that the film's plot signified the results of the "victory of patriarchal corporate control."[65] In a similar vein, Martin Harris writes that Halloween Three contains "an ongoing, cynical commentary on American consumer civilisation." Upset over the commercialization of the Halloween vacation, Cochran uses "the very medium he abhors every bit a weapon against itself." Harris too discusses other big concern critiques in the pic, including the unemployment of local workers and the declining quality of mass-produced products.[66]

Box part [edit]

Halloween Three: Season of the Witch opened in 1,297 theaters in the U.s. on October 22, 1982, and earned $6,333,259 in its opening weekend.[9] Like its predecessor, the picture show was distributed through Universal past Italian producer Dino De Laurentiis. It grossed a full of $14,400,000 in the U.s.,[two] but was the worst performing Halloween pic at the time.[3] Several other horror films that premiered in 1982 performed far better, including Poltergeist ($76,606,280), Friday the 13th Part Iii ($34,581,519), and Creepshow ($21,028,755).[67]

Artwork [edit]

In 1983, Edd Riveria, designer of the film'due south theatrical poster, received a Saturn Award nomination from the Academy of Science Fiction, Fantasy & Horror Films, USA, for All-time Affiche Art, simply lost to John Alvin's East.T.: The Extra-Terrestrial (1982) artwork. Riveria's poster fine art featured a demonic confront descending on 3 play tricks-or-treaters. His artwork was later featured on the cover of Fangoria in October 1982. The stylized face up on the theatrical affiche is actually a distorted paradigm of the witch mask which appears in the film. The prototype of the trick-or-treaters is like to a shot in the flick that shows children in Phoenix, Arizona walking in silhouette with a red sunset in the background.

Merchandising [edit]

As role of a merchandising campaign, the producers requested Don Postal service to mass-produce the skull, witch, and jack-o'-lantern masks.[9] Producers had given sectional merchandising rights to Post as part of his contract for working on the film, and Post Studios had already successfully marketed tie-in masks for the classic Universal Monsters, Planet of the Apes (1968), Star Wars (1977), and East.T.: The Actress-Terrestrial (1982). Post used the original molds for the masks in the film to mass-produce masks for retail sale. He speculated, "Because the masks are so significant to the movie, they could become a cult item, with fans wanting to wear them when they go to meet the film." Post as well gave mask-making demonstrations for a Universal Studio tour in Hollywood. The masks retailed for $25 when they finally appeared in stores. In October 2019, NECA announced that they would be releasing 3 8" action figures of The Pumpkin, Witch, and Skull, which were released in March 2020.[9]

Home media [edit]

Halloween Three was later released on VHS, Capacitance Electronic Disc, and LaserDisc in 1983 by MCA/Universal Domicile Video and past Goodtimes Domicile Video in 1996. DVD versions were distributed by Goodtimes in 1998, Universal in 2002, and every bit a ii-disc "Universal double feature" with Halloween 2 in 2007. The motion-picture show was released on Blu-ray for the first time on September 18, 2012 from Shout! Factory, containing the same special features as their collector's edition DVD, which are a commentary, documentary, trailers, and still galleries.[68] Universal released a Blu-ray release of the movie on Baronial 11, 2015. An Ultra HD Blu-ray release was released under Shout!'southward Scream Manufactory label on October 5, 2021.

Novelization [edit]

The script was adjusted equally a paperback novelization in 1982 past horror writer Dennis Etchison, who also wrote the novelization of Halloween Ii, writing under the pseudonym Jack Martin. The volume was reissued in 1984.[69] Although Cochran appears to dice in the movie, the novelization implies that he may have survived, with the magic of Stonehenge transporting him abroad. While the picture show leaves open the question of whether Challis was able to get the third network to pull the mortiferous Silver Shamrock ad, the book conclusively states that he failed as the children die screaming.

Legacy [edit]

In the 2011 film Livide, a trio of fob-or-treaters wearing the three mask designs from Halloween Three walk by a automobile in which one passenger sings the Silverish Shamrock jingle.[70] [71] [72]

In the 2014 American film The Guest, the final boxing takes identify within of a high school decorated for Halloween with some decorations based on the masks from Halloween 3 hanging upwards on a wall.[lxx]

In the 2018 Halloween film, a trio of trick-or-treaters are briefly shown wearing the three mask designs from Halloween III. The masks reappear in Halloween Kills, this time with attached Silverish Shamrock medallions visible on the rear of the masks.[73]

The German speed metal group Helloween, which used Halloween-themed imagery, adjusted the "Silver Shamrock" ditty from the moving-picture show, using it due east.g. as an introduction in their 1985 debut full-length studio album Walls of Jericho.

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Further reading [edit]

  • Maxford, Howard (1996), The A–Z of Horror Films, Batsford, ISBN9780713479737
  • Paul, Louis (2007), Tales from the Cult Motion-picture show Trenches, McFarland, ISBN9780786484027
  • Hanke, Ken (2013), A Critical Guide to Horror Film Serial, Routledge Library Editions: Movie house, ISBN9781317928829
  • Collum, Jason Paul (2004), Assault of the Killer B's: Interviews with 20 Cult Film Actresses, McFarland, ISBN9780786480418
  • Counelis, Paul (2011), 25 Underrated Horror Films (and The Exorcist), Lulu.com, ISBN9781105139321 [ self-published source ]
  • Muir, John Kenneth (2012), Horror Films of the 1980s, McFarland, ISBN9780786455010
  • Maltin, Leonard (2014), Leonard Maltin's 2015 Motion picture Guide, Penguin, ISBN9780698183612
  • Erickson, Hal (2012), Armed services One-act Films: A Disquisitional Survey and Filmography of Hollywood Releases Since 1918, McFarland, ISBN9780786492671
  • Willis, Donald C. (1984), Horror and Scientific discipline Fiction Films III , Scarecrow Printing, ISBN9780810817234
  • "The Mask Factor" by Michael Gingold, Fangoria magazine #317, October 2012, pages threescore–62. Interview of Stacey Nelkin regarding her function in the flick, Halloween III: Flavor of the Witch, conducted at the 2011 Monster-Mania Con, New Bailiwick of jersey. Iii-page article has seven photos, four of Nelkin, one of her taken at the Con.

External links [edit]

  • Official website
  • Halloween III: Season of the Witch at IMDb
  • Halloween Three: Season of the Witch at AllMovie
  • Halloween III: Season of the Witch at the TCM Movie Database
  • Halloween III: Flavor of the Witch at Letterboxd

Source: https://en.wikipedia.org/wiki/Halloween_III:_Season_of_the_Witch

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